I'm Getting Engaged
I'm getting engaged in a discussion with you--or, a guide to quality critiquing.
I have said before that every painting for me is a lesson. Like all good lessons, each painting is worth a conversation.
I have a workshop coming up, and one of the things that will happen is a discussion or critique about the work that is created.
I Think Good Critiquing Is:
“Critique” and “critical” have the same root word that means “I judge.” In practical terms, in today’s society, I think of them as very different.
Without a Google or dictionary assist, I think of critique as a way to discuss and improve upon something.
For me, a good critique is:
a way to see things I have not seen from my close vantage point
a way for someone to say if they think I am on the track I want to be on
an assist in possible technical barriers
comments about how colors, values, and composition are or are not working in somebody else’s view. (Remember, the creator can accept or decline other views.)
the feelings or moods a piece of work brings up for someone
I Think Critiquing Is Not:
making excuses beforehand. This is a big no-no in my book. I suggest that you never poison your own well.
saying “I like it” or “I don’t like it” with no other direction. A bad example might be something like, “I like your first attempt, but the other one, just throw it away and start over.”
pointing out only negatives. Real support and encouragement are important.
Benefits of a Good Critique
The viewer gets to explore their vision and vocabulary in a creation they are not tied to. You’ve heard it said that teaching is a good way to learn. Yes, I think being able to look at another’s work and express thoughts about it is beneficial to the viewer.
The creator gets feedback that they may choose to accept or ignore.
The creator may get an idea sparked by someone else’s insight.
Critiques Are Only Opinions
When I think of critiques, I also think of something I see online on almost a daily basis. People ask, “What is your favorite? Fill in the blank.” For me, I like too many things in movies, songs, and foods to pick any one thing.
I think some people, at times, go too far and make opinion statements as if they are facts. “That is the best song ever” may be true for that person, while others may have differing opinions.
What Do You Think?
Do critiques work for you? Do you welcome and enjoy them? What’s the worst thing that ever happened to you during a critique? What’s the most pleasing thing someone said to you?
On The Studio Front
I have picked out and wired up my Atlanta show paintings. The show totals 33 pieces, which is way different than when I have shows with 75-100 pieces.
I still have to figure out how to make each piece for sale as an individual piece on Venmo, with a QR code.
For no reason in particular, I have been painting mostly with knives and large brushes. The past week or so, I have been using very large brushes. Every time I shift gears like this, I think, “Why have I not been doing this all along?”





Kindness first, yes.
I’ve done a lot of critiquing while teaching artists in the classroom and in plein air workshops. I live by the creed that if I can’t be honest, there’s no point in the critique. But I also always give both my “suggestions”, always just that, for areas that would improve their efforts, always considering the painter and the painters level. And I always give them a compliment concerning what I think they did well. Both geared towards the individual and what they say their point to the painting is.
The worst thing that ever happened to me during a critique was in art school. I’d been up for 4 days straight completing assignments (Art Center College of Design, Pasadena, CA where I majored in Illustration). The assignment for first class the next morning hadn’t been given its due attention by me, I was guilty of not giving it my best. We always put our assignments on a ‘crit rail’ on one wall. When the instructor began his day long critique, he walked by all the work looking at it. Then walked back by to begin his critique. As he passed my illustration, he took his hand and knocked it off of the crit rail and spent the rest of the day walking back and forth over it! Needless to say, I never short changed an assignment again.